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Article Updated 17 September, 2008 09:49:32 PM IST
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By Abid Š2008 Bollyvista.com

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Ek Vivaah... Aisa Bhi
Ek Vivaah... Aisa Bhi
Nice guitar strums and some lovely whistling sounds give way to 'Kya Soch Ke Aaye The', a number that takes one back to the Nadeem–Shravan and Anand Milind days. Even Shaan sounds more like Kumar Shanu with his prominent nasal twang. Coming to the song, it's nice to hear a pure, unadulterated, pleasant sounding, romantic number. Once again a situational track about the lead protagonist at a loss of words after seeing his beloved.

Famous 'qawwal' Farid Sabri announces in his typical style "Aankhon mein pyaar, Dil mein mohabbat liye hue", another festive composition 'Lo Ji Hum Aa Gaye'.The song takes the shape of a normal, routine 'qawwali' with its very typical 'ched-chaad' between the two sides, with each calling other names and trying to come up trumps although in a light hearted number. The duel has been well orchestrated giving it a nice qawwali touch. An interesting number that is bound to become popular during wedding and engagement ceremonies and will appeal to the women folk in general and add to the highlight of the movie. All great artists like Farid Sabri, Pamela Jain, Shaan and Satish Dehra provide the perfect background with full emotive singing.

Shreya's  perfect honey sweet crooning commence 'Jhirmir Jhirmir Meha Barse', a take off on Rajshri's  own number 'Bhisti Poore Tapur Tuper' (Paheli- 1977). A superb intermingling of some lovely classical singing by Shreya and trademark romantic number of the sixties, by Shaan (a la Rafi Saab style) are the highlight of the song. Shreya shows her hold over her vocals and Shaan too complements her perfectly. The lyrics too add to the old world charm of song and such compositions are a rarity, in fact they are instinct in these days. So, when another version of the same number comes up, don't mind, just go ahead and get into a romantic mood with this nice'hatke' rain song.

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