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By Abid Š2008 Bollyvista.com |
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Ek Vivaah... Aisa Bhi |
Rajshri's favourite, Suresh Waadekar has been assigned the task of rendering 'Mandir Hai Ghar Yeh Hamara' and true to its title the song is a short, situational track about how pure and like a temple the home is. Suresh, who is himself a good 'bhajan' singer is apt for the number and lyrics even more apt.
'Dono Nibhayein Apna Dharam', begins with shehnai strains and religious verses depicting a marriage ceremony, 'bidaai' to be precise . It is another very typical Rajshri-style number. A situational track that talks about the loving couple being together in thick and thin and following the promises and vows made to each other during their 'saat –pheras' at the wedding. Shreya and Shaan do the needful, though this time we have Suresh Waadekar ( has to be the voice of the father) chipping in as well.
'Sang Sang Rahenge Janam Janam' is again an extension of the above song, only the lyrics are different, catering to the demand of the situation.
Some nice religious shlokes (Sanskrit) herald another marriage ceremonial number, 'Banna Banni' (Bridegroom-Bride), a very common number heard during weddings in North India (specially Bihar and Eastern Uttar Pradesh). The tune remains much in the same lines, folk inspired and so do the lyrics in the 'mukhda'. Only the lyrics in the 'antara' have been adapted to suit the mood, character and situation of the film. |
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