Sunday

After the unique title track, it's the turn of the famous Pakistani Band, Suroor who have for us the utterly romantic track, 'Pyar To Hona Hi Hai'.  A blissful ode to the beautiful feeling called love, this composition will be lapped up by lovers of such music. Though it's a typical romantic track, composed and sung in a style made unique by the Pakistani pop singers, it's a style that has made their compositions a favourite with music lovers. The lead artists Kamran Bari and Mohammad Ali's contrasting vocals blend harmoniously with the music. The amalgamation of soft alaaps in the background and the  fast rhythmic antaras are superb. Kamran Bari too deserves a special mention for his elegantly penned lyrics. Picturised on Ajay Devgan, let's wait and see if 'Pyar To Hona Hi Hai' turns out to be as successful as Devgan's 'Pyar To Hona Hi Tha' audio! Though with all the factors accounted for, the answer is a definite YES!

In 'Pyar To Hona Hi Hai-Remix', the beauty of the original is totally spoilt, but a certain section of the people do enjoy these types of remixes. Keeping this factor in mind, it's a decent job.

Gentle build up of music leads to a fast and furiously paced 'Loot Liya'. Rendered and composed by bhangra king, Daler Mehndi, the composition is sung in a style which will be loved by the innumerable fans of Daler. After a long time the bhangra king is in his elements, his robust energetic singing is the USP of the song. The music is a fusion of "lavni" style (folk from Maharashtra) and of course Punjabi bhangra style with lots of dhol. This fusion makes it different from other bhangra based tracks. Some mukhda snatches seem to be inspired from the title track of Salman's Maine Pyar Kiya. This can be classified as dance/item number, such is the arrangements and the raunchy lyrics.  A number that will be loved by front benchers and masses.

Shibani Kashyap, the talented singer who enthralled us all with her "Zinda Hoon Main", from Zinda brings forth "Kashmakash". This number seems to be more of an extended version of her spellbinding Zinda title track. Her style dominates the song. In fact, the dark, mysterious element that was present in the former is present here too. This is a situational track and serves to provide variety in the album.

"Kashmakash–Remix" by D.J Suketu is arranged by AKS. This hauntingly chilling number gets an extra zing with the usual peppering of dispersed vocals, added synthesizer sounds and fast paced beats. Nevertheless, the resulting effect is good, and it converts the number into a good dance track that will liven up a few discos.