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Article Updated 18 September, 2007 10:16:10 PM IST
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Om Shanti Om
By Abid Š2007 Bollyvista.com

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Om Shanti Om
Credits
 Producer/s:  Red Chillies Entertainment
 Director:  Farah Khan
 Music:  Vishal & Shekhar
 Lyrics:  Javed Akhtar, Kumar (Punjabi) and Vishal
 Vocals:  Abhijit, Caralisa, K. K., Marianne, Nisha, Rahul Saxena, Shaan, Shreya Ghoshal, Sonu Nigam, Sunidhi Chauhan, Sukhwinder Singh and Udit Narayan
 Label:  T-Series
Just few years back, we reviewed the audio album of 'Main Hoon Na', that had the same team of Shah Rukh Khan, Farah Khan and Javed Akhtar. But are we missing someone here? Oh yes, the chart conquering composer of the 2004 album, Anu Malik is not associated with the 2007 album, 'Om Shanti Om'. Given the fact that Anu is out of form and circulation, the decision of picking Vishal & Shekhar on their current form seems to be correct. How correct, we will know shortly.

Farah Khan's 35-crore bonanza, 'Om Shanti Om', based mainly in the psychedelic 70s, kick starts with the absolutely mesmerizing, petal-soft, romantic track 'Ajab Si'. Right from the first notes, the soft beats and caressing guitar strings set just the right pace for K. K. to take over. The lyrics by (no its not Javed Akhtar) by Vishal (what a pleasant surprise!) are simple and superb - "Aankhon mein teri, Ajab si ajab si adaayen hain, Dil ko bana de jo patang, Saansein ye teri who hawaayein hain." The arrangements by Vishal & Shekhar and K.K.'s superb rendition gel perfectly.

Next up, we run into the '6-pack' (SRK) song, 'Dard-E-Disco'. The Arabic styled composition is more in the qawwali mold rather than in the disco alley! Once again, the lyrics (this time by Javed Akhtar) are the first thing that grab attention - "Woh haseena woh neelam pari, Kar gayee kaisi jadoogari, Neend in aankhon se cheen li hai, Dil mein bechainiyan hai bhari." The lyrics couldn't have been more perfect and Sukhwinder takes over, and is in top form! His voice modulation floats in perfect unison with the music and the lyrics, changing pace and pitch as per the mood and requirement. The background (Arabic style) vocals and crooning enhance the composition further. In a nutshell, 'Dard-E-Disco' takes us back to the early 70s, and we are reminded of countless Pran enacted qawwalis, with 'Dard-E-Disco' (in the lyrics) adding a touch of humour. As we have already mentioned at the start, the arrangements are more in the qawwali mold with slight touches of disco beats.

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