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Article Updated 12 September, 2007 01:11:32 AM IST
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Bhool Bhulaiyaa
By Abid Š2007 Bollyvista.com

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Bhool Bhulaiyaa
Credits
 Producer/s:  Bhushan Kumar and Krishan Kumar
 Director:  Priyadarshan
 Music:  Pritam
 Lyrics:  Sameer
 Vocals:  K.K., M.G. Sreekumar, Neeraj Sridhar, Shaan, Shreya Ghoshal and Tulsi Kumar
 Label:  T-Series
'Garam Masala', 'Bhagam Bhaag' and now 'Bhool Bhulaiyaa', so what do these three above mentioned movies have in common? They have a lot of well established names like the director Priyadarshan, lucky music director, Pritam, maverick actor Paresh Rawal, new comedy star Rajpal Yadav and above all the self-made superstar, Akshay Kumar. All these names combined gave Priyan (as he is fondly called) two of the biggest hits of his career, 'Garam Masala' and 'Bhagam Bhaag'. Will the lucky charms work for the third time? Will it be a hattrick for the team? Come Eid, we will know when 'Bhool Bhulaiyaa' releases. For now, let us check out the audio album.

Superb fusion of anklets and rubab sounds (simulated on a guitar), commence the highly addictive title track 'Bhool Bhulaiyaa'. Its groovy, infectious rhythm captivates the listeners, and one simply gets hooked on it. It's difficult to prevent oneself from chanting "Hare Ram, Hare Ram, Hare Krishna, Hare Ram", much like it was with Dev Anand's groovy title track from 'Hare Rama, Hare Krishna'. Coming back to the track, Sameer's lyrics are the USP, the mix and match of English reggae and Hindustani is outstanding. One simply gels into the other. A trend started by the talented singer Neeraj Sridhar himself, who is the lead singer of the pop group 'Bombay Vikings', which has delivered some big chartbusters like 'Woh Chali Woh Chali'. This is one of those tracks, which has chartbuster written all over it, right from the first promo. With the latest song promo showing Akki grooving and gyrating in those cute steps, it will only enhance the popularity further.

'Bhool Bhulaiyaa-remix', by DJ Amyth will be liked by a section of the people who like racy rhythmic versions to dance in discos and night-clubs. The groovy, infectious rhythm is totally spoilt though, as the fast pace absolutely corrupts the original.

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