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By Abid Š2006 Bollyvista.com |
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Baabul |
Let us now move on to the first track of the album, 'Come On-Come On', which through the promos being aired on T.V., appears to be a very typical, U.K Top 20, 'bhangra' dance number. But hold on to your horses, this has much more. What is special about it is that it has been rendered by Bachchan himself in his inimitable, loveable 'one of a kind' style. He has with him two music directors, Aadesh and Ranjit Barot and not to forget Sonu Nigam, whose soft, clear vocals perfectly match Amitabh's deep, rich, baritone vocals. The rhythm is highly infectious. Sameer's lyrics deserve special mention, as the game of upmanship (between the father and son; Amitabh and Salman) is expressed excellently through simple, identifiable and very humorous words (Amitabh - "Main sher babbar hoon." Salman- "Main tera putar hoon.") and will surely be lapped up by the audiences. Sure shot chartbuster, once the movie releases, as the promos of the song are not able to portray the actual song content.
Broken vocals, rap n reggae, very fast beats and rhythm, plus some singing in English, all part and parcel of a good remix is present in the remix version - 'Come On - Come On' by DJ Suketu.
'Rubaab', lovely flute notes and some beautiful whistling sounds (which basically turns out to be the main tune of the composition), gently ushers in the next track 'Keh Raha Hai'. All those die-hard romantics who loved 'Pehle Kabhi' from 'Baghban', will automatically fall in love will this love-ballad. Sonu and Shreya render this track to perfection (so adept they are at this). Sameer's lyrics are as filmy as they can get - "Keh raha hai, Dil deewana , jaane jaana, kha ke kasam, Hum ishq mein mar jaayenge, Kuch bhi sanam kar jaayenge, Chhodege na daman tera, Wada raha."
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