Movie review of Nayee Padosan starring Rahul Bhatt, Aslam Khan, Anuj Sawhney, Vikaas Kalantri, Mahek Chahal, Vijay Kashyap

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Article Updated 07 June, 2003 05:18:11 PM IST

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Nayee Padosan

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Credits
Producer/s:	Nitin Manmohan
Director:	B.H. Tharunkumar
Cast:	Rahul Bhatt, Aslam Khan, Anuj Sawhney, Vikaas Kalantri, Mahek Chahal, Vijay Kashyap
Music:	Shankar Ehsaan Loy
Lyrics:	Sameer

The best thing about Nayee Padosan is its comic power. Written cleverly and executed similarly, Nayee Padosan has a good dose of humor for viewers. But at the same time, it fails to do anything else than that. B.H. Tharunkumar’s directorial debut is an addition in the longing list of youth films that have sole purpose of making viewers laugh.

It’s a story of one girl Pooja (Mahek Chahal) who has not just one but three admirers, Raju (Anuj Sawhney), Raja (Aslam Khan) and Ram (Vikaas Kalantri). Pooja is a new resident of the area where these three guys live. And soon after seeing her for once, all of them fall for her. While Raja is a music buff and wants to make it big in the industry, Ram is an aspiring actor who is thrown out of half a dozen films. Once Pooja enters into their lives, they three lose their focus and divert all their efforts to win her heart. But before one of them can win and take the girl home, Prabhu (Rahul Bhatt) comes in. He is a Tamil guy who is selected as Pooja’s better half by her parents…

Nayee Padosan lets you feel happy almost every other minute mainly because of its witty dialogues, written by Raghuvir Shekhawat. The real strength of this film lies in its tricky one-lines. Also, it is director’s fresh way of thinking that has added flavor to the narrative and happenings. The film starts with ease and ends with ease, minus some mistakes made in the climax portions. But that doesn’t mean that everything is well with Nayee Padosan.

The film is basically an addition to the latest trend where soft subjects revolving around the youth are developed into a full-fledged film. The most recent film like that was Ishq Vishk. And when every effort is centered towards giving an ample dose of laughter, other things take a backseat. In this film, the girl whose character forms the title is sidelined and the guys have been given more footage. Instead, the director should have done better in developing her character as well. Moreover, all the characters, though have different agendas in life, actually end up becoming identical and one. They wear designer clothes and forget real purposes while chasing the girl. The music is made good mainly because the songs are choreographed well (Pony Verma) and because of their placing. Otherwise, Sameer and Shankar Ehsaan Loy’s work is not that great. And the film is messed up in the second half, especially in the climax.

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